Cora: sculpture mix; copper carbonate oxide; thin coat of clear glaze.
Back in Summer or Fall 2009, I sculpted Cora during a live model gestural session (40 minutes?), and I put the coat of oxide on her then. Just a week ago, I decided to add the clear glazing for a more shiny effect suitable for a creature of the sea.
Working with an actual model is ideal, though it's been a long time since I've practiced my skills that way. I like the urgency inherent in a quick gestural session with the model with her (or his) real curves and lines, with her (or his) comfort and discomfort on the line. Works on me, anyway, and I work hard to catch the pose as quickly as possible.
Maybe in a new class this coming semester.
