Showing posts with label Hammer. Show all posts
Showing posts with label Hammer. Show all posts

Monday, December 22, 2014

Clay Wizardry















Ornamentation for the yuletide tree: my efforts over the years.

Saturday, December 22, 2012

The Thinker(s): Orkney-Style?


My Pict (pit-fired clay; hammered copper) --
with someone else's Thor in the background.

I must say that my own sense of the Orkneys comes, chiefly, from Dorothy Dunnett's treatment of those fabulous northern islands in her King Hereafter, that wonderful historical novel of Thorfinn of Orkney, of Macbeth, and of the Celtic/Pictish/Norse mixture that infused those islands.  Seamus Heaney's brief references in his North, the poetry of Orkney poet George Mackay Brown, Henry Treece's historical novel Splintered Sword, the classic Orkneyinga Saga, and R. E. Howard's Bran Mak Morn have also informed my imagination here.   

Unfortunately, I've yet to experience Orkney for myself, though I expect to visit in the next decade or so.

Thor as thinker?  More than you might think, surely.  Check the Eddas.

Saturday, December 17, 2011

Rex


King's Head: sculpture mix; shiny black and shino glazing.
(Marred from the black glaze running further than expected.)

Friday, February 4, 2011

"When A Hammer Sings . . .


Its head is loose."

You know, that ringing piiiinnnnnggggg when the hammerhead hits metal or concrete or even very hard wood, that noise that tells you to seat and secure the head before it flies off and hurts something or someone. (What's that saying about anger and breaking things? Don't fly off at the handle.) That pinging is singing.

Harrison and Kooser, from Braided Creek: A Conversation in Verse or something like that. I love that slim volume, but the subtitle isn't quite coming to mind.

I had a student once whose father, a carpenter, wrote poetry, published poetry. I always wondered if she let herself--for that's how it felt, that she wasn't letting herself--what poetry she could write. As a bystander, I knew she had something to share, observations to deliver. And I'm sure she's gone on to do that, whether or not she's producing poetry specifically.

Carpentry is another form of poetry, after all, and so's every other craft.

I considered getting hammered tonight, so I could sing, but I'm diving or kayaking or something tomorrow. I'll settle for my basic articulate (or semi-articulate) self and save singing for my birthday, the anniversary of Lord Byron's death (just missed his birthday), or something. Hangovers hammer back, after all.

Still, if you need to get hammered, Flor de Cana is not a bad way to go.

Mostly, I like how Harrison & Kooser's original verse gets me thinking--and smiling--every time: "When a hammer sings, its head is loose."

For some reason, rereading Elmore Leonard's Unknown Man #89 makes a lot of sense to me right now.