Le Carre's "A Perfect Spy" is a Perfect Novel

Le Carre's A Perfect Spy is, I hazard to claim, a perfect novel.  It carries the adult thesis that the crucial shapings of character are emotional rather than rational, and it dramatizes such a range of humanity, such a range of response, in its pages.  I recently reread this novel -- while traveling in Germany, Austria, and Swizterland, very appropriately -- that I heartily endorse and recommend, and for some the trappings of espionage will be a feature, but I hope for others it will only be a mere distraction.

Le Carre's novel is both an excellent spy novel and a classic work of literature precisely because Le Carre is such a good watcher of humanity and such a good reporter of humane responses.  It's a thriller too.

Here's a passage that matters:

As for Pym, he was gazing on the glories of the kingdom he had dreamed of so long.  The German muse had no particular draw for him, then or later, for all his loud enthusiasm.  If she had been Chinese or Polish or Indian, it would have made no earthly odds.  The point was, she supplied Pym with the means, for the first time, to regard himself intellectually as a gentleman.  And for that Pym was eternally grateful to her.

As a first generation college student, I connect with this passage.  Studying English Literature at UC Berkeley enabled me to regard myself, intellectually, as a gentleman.  And that mattered.

TOP MUSICAL HIT: 14TH BIRTHDAY?

I've read somewhere--some meme, some random posting--that the top musical hit on your 14th birthday has a mystical, even fatal effect on the arc and outcome of your life.  My 14th birthday on June 19th, 1975, seems to have seen this arc of hits:


June 7 "Thank God I'm a Country Boy" John Denver
June 14 "Sister Golden Hair" America
June 21 "Love Will Keep Us Together" Captain & Tennille

I can check further, but I think America's hit was the one that matters.

I'm not sure how I think and feel about all this, but I do recall being both puzzled and drawn in by the lyrics and their delivery in that song so many years ago.



SISTER GOLDEN HAIR---------by the band AMERICA

Well I tried to make it sunday, but I got so damn depressed
That I set my sights on monday and I got myself undressed
I ain't ready for the altar but I do agree there's times
When a woman sure can be a friend of mine

Well, I keep on thinkin' 'bout you, sister golden hair surprise
And I just can't live without you, can't you see it in my eyes?
I been one poor correspondent, and I been too, too hard to find
But it doesn't mean you ain't been on my mind

Will you meet me in the middle, will you meet me in the air?
Will you love me just a little, just enough to show you care?
Well I tried to fake it, I don't mind sayin', I just can't make it

Well, I keep on thinkin' 'bout you, sister golden hair surprise
And I just can't live without you, can't you see it in my eyes?
Now I been one poor correspondent, and I been too, too hard to find
But it doesn't mean you ain't been on my mind

Will you meet me in the middle, will you meet me in the air?
Will you love me just a little, just enough to show you care?
Well I tried to fake it, I don't mind sayin', I just can't make it

Doo wop doo wop

Written by Gerry Beckley • Copyright © Warner/Chappell Music, Inc

"Lay On, Macduff"

                 I will not yield
To kiss the ground before young Malcolm's feet
And to be baited with the rabble's curse.
Though Birnam Wood be come to Dunsinane
And thou opposed being of no woman born,
Yet I will try the last.  Before my body,
I throw my warlike shield.  Lay on, Macduff,
And damned be him that first cries, 'Hold, enough!'

          Shakespeare's Macbeth, 5.8.3334


Macbeth's final lines, though not his final appearance in the play . . . .

Ring: "Waves"

A good-luck ring, I'm hoping.

Classic artistry from the Irish metal-workers on Shattuck Avenue in Berkeley, CA.
You can find their fine work here.

For me, the wave-ring is also a wyrd-ring, the pattern of becoming, of winding and unwinding, that marks the Old English idea and practice of fate, of the world's workings, of past/present/future.

Check the rings and lines of age on my hand too.  I'm reminded of how trees show their life-lines.  Knotwork.  Or, there's a Bruce Sterling novel that I never liked much of a future dystopian universe in which wealthy people could live long, long lives in young and younger bodies, but their hands would give them away -- the signs of aging in the wrinkles and lines of their hands being resistant to the otherwise miraculous drugs to offset mere age -- would give them away, and as an older reader now, as an older man now, I see what he was getting at.

That's cool.  Slipping over the cusp of 2015 into 2016, I think about something the great surfer Fred van Dyke said --in an excellent documentary, David L. Brown's Surfing for Life -- "I'm getting older, and I gotta dig it."

Something like that.  And I am digging it.

(Talk to the hand, if you don't dig it too.)

The Crabman: Two Views.

JP at Bodega Bay.

Wyrd Oft Nereth: Two Views

"The Wanderer": Burton Raffel Translates From The Old English

THE WANDERER

This lonely traveller longs for grace,
For the mercy of God; grief hangs on
His heart and follows the frost-cold foam
He cuts in the sea, sailing endlessly,
Aimlessly, in exile. Fate has opened
A single port: memory. He sees
His kinsmen slaughtered again, and cries:
               “I’ve drunk too many lonely dawns,
Grey with mourning. Once there were men
To whom my heart could hurry, hot
With open longing. They’re long since dead.
My heart has closed on itself, quietly
Learning that silence is noble and sorrow
Nothing that speech can cure. Sadness
Has never driven sadness off;
Fate blows hardest on a bleeding heart.
So those who thirst for glory smother
Secret weakness and longing, neither
Weep nor sigh nor listen to the sickness
In their souls. So I, lost and homeless,
Forced to flee the darkness that fell
On the earth and my lord.
                         Leaving everything,
Weary with winter I wandered out
On the frozen waves, hoping to find
A place, a people, a lord to replace
My lost ones. No one knew me, now,
No one offered comfort, allowed
Me feasting or joy. How cruel a journey
I’ve traveled, sharing my bread with sorrow
Alone, an exile in every land,
Could only be told by telling my footsteps.
For who can hear: “friendless and poor,”
And know what I’ve known since the long cheerful nights
When, young and yearning, with my lord I yet feasted
Most welcome of all. That warmth is dead.
He only knows who needs his lord
As I do, eager or long-missing aid;
He only knows who never sleeps
Without the deepest dreams of longing.
Sometimes it seems I see my lord,
Kiss and embrace him, bend my hands
And head to his knee, kneeling as though
He still sat enthroned, ruling his thanes.
And I open my eyes, embracing the air,
And I see the brown sea-billows heave,
See the sea-birds bathe, spreading
Their white-feathered wings, watch the frost
And the hail and the snow. And heavy in heart
I long for my lord, alone and unloved.
Sometimes it seems I see my kin
And greet them gladly, give them welcome,
The best of friends. They fade away,
Swimming soundlessly out of sight,
                         Leaving nothing.
How loathsome become
The frozen waves to a weary heart.
               In this brief world I cannot wonder
That my mind is set on melancholy,
Because I never forget the fate
Of men, robbed of their riches, suddenly
Looted by death—the doom of earth,
Sent to us all by every rising
Sun. Wisdom is slow, and comes
But late. He who has it is patient;
He cannot be hasty to hate or speak,
He must be bold and yet not blind,
Nor ever too craven, complacent, or covetous,
Nor ready to gloat before he wins glory.
The man’s a fool who flings his boasts
Hotly to the heavens, heeding his spleen
And not the better boldness of knowledge.
What knowing man knows not the ghostly,
Waste-like end of worldly wealth:
See, already the wreckage is there,
The wind-swept walls stand far and wide,
The storm-beaten blocks besmeared with frost,
The mead-halls crumbled, the monarchs thrown down
And stripped of their pleasures. The proudest of warriors
Now lie by the wall: some of them war
Destroyed; some the monstrous sea-bird
Bore over the ocean; to some the old wolf
Dealt out death; and for some dejected
Followers fashioned an earth-cave coffin.
Thus the Maker of men lays waste
This earth, crushing our callow mirth.
And the work of old giants stands withered and still.”

He who these ruins rightly sees,
And deeply considers this dark twisted life,
Who sagely remembers the endless slaughters
Of a bloody past, is bound to proclaim:
          “Where is the war-steed? Where is the warrior?
                         Where is his war-lord?
Where now the feasting-places?
Where now the mead-hall pleasures?
Alas, bright cup! Alas, brave knight!
Alas, you glorious princes! All gone,
Lost in the night, as you never had lived.
And all that survives you a serpentine wall,
Wondrously high, worked in strange ways.
Mighty spears have slain these men,
Greedy weapons have framed their fate.
                These rocky slopes are beaten by storms,
This earth pinned down by driving snow,
By the horror of winter, smothering warmth
In the shadows of night. And the north angrily
Hurls its hailstorms at our helpless heads.
Everything earthly is evilly born,
Firmly clutched by a fickle Fate.
Fortune vanishes, friendship vanishes,
Man is fleeting, woman is fleeting,
And all this earth rolls into emptiness.”

               So says the sage in his heart, sitting alone with
                              His thought.
It's good to guard your faith, nor let your grief come forth
Until it cannot call for help, nor help but heed
The path you've placed before it.  It's good to find your grace
In God, the heavenly rock where rests our every hope.

--translated by Burton Raffel,
borrowed from Beowulf and Related Readings,
McDougall Littell; Evanston, Illinois; 1998.

Thomas Gray's "The Fatal Sisters"

THE FATAL SISTERS

Now the storm begins to lower,
(Haste, the loom of Hell prepares!)
Iron-sleet of arrowy shower
Hurtles in the darkened air. 

Glittering lances are the loom,
Where the dusky warp we strain,
Weaving many a soldier's doom,
Orkney's woe and Randver's bane. 

See the grisly texture grow,
('Tis of human entrails made!)
And the weights that play below,
Each a gasping warrior's head. 

Shafts for shuttles, dipped in gore,
Shoot the trembling cords along.
Sword, that once a monarch bore,
Keep the tissue close and strong. 

Mista, black, terrific maid,
Sangrida, and Hilda, see,
Join the wayward work to aid;
'Tis the woof of victory. 

Ere the ruddy sun be set,
Pikes must shiver, javelins sing,
Blade with clattering buckler meet,
Hauberk crash, and helmet ring. 

(Weave the crimson web of war!)
Let us go, and let us fly
Where our friends the conflict share,
Where they triumph, where they die. 

As the paths of fate we tread,
Wading through the ensanguined field,
Gondula and Geira, spread
O'er the youthful king your shield. 

We the reins to slaughter give;
Ours to kill, and ours to spare;
Spite the dangers he shall live.
(Weave the crimson web of war!) 

They whom once the desert beach
Pent within its bleak domain,
Soon their ample sway shall stretch
O'er the plenty of the plain. 

Low the dauntless earl is laid,
Gored with many a gaping wound;
Fate demands a nobler head;
Soon a king shall bite the ground. 

Long his loss shall Eirin weep
Ne'er again his likeness see;
Long her strains in sorrow steep,
Strains of immortality! 

Horror covers all the heath;
Clouds of carnage blot the sun.
Sisters, weave the web of death;
Sisters, cease, the work is done. 

Hail the task, and hail the hands!
Songs of joy and triumph sing!
Joy to the victorious bands
Triumph to the younger king. 

Mortal, thou that hear'st the tale,
Learn the tenor of our song.
Scotland, through each winding vale
Far and wide the notes prolong. 

Sisters, hence with spurs of speed;
Each her thundering falchion wield;
Each bestride her sable steed.
Hurry, hurry to the field! 

--Thomas Gray

Fatality Knocks

"Dead people and dead thoughts and supposedly dead moments are never, ever truly dead, and they shape every moment of our lives.  We discount them, and that makes them mighty."

--from Caitlin R. Kiernan's The Drowning Girl: A Memoir

Robert Graves: Gift, Glance, Green, Glint

Four poems by Robert Graves:

GIFT OF SIGHT
I had long known the diverse tastes of the wood,
Each leaf, each bark, rank earth from every hollow;
Knew the smells of bird's breath and of bat's wing;
Yet sight I lacked; until you stole upon me,
Touching my eyelids with light finger-tips.
The trees blazed out, their colours whirled together,
Nor ever before had I been aware of sky.


AT FIRST SIGHT
'Love at first sight,' some say, misnaming
Discovery of twinned helplessness
Against the huge tug of procreation.

But friendship at first sight?  This also
Catches fiercely at the surprised heart
So that the cheek blanches and then blushes.


VARIABLES OF GREEN
Grass-green and aspen-green,
Laurel-green and sea-green,
Fine-emerald green,
And many another hue:
As green commands the variables of green
So love my loves of you.


CHANGE
'This year she has changed greatly'--meaning you--
My sanguine friends agree,
And hope thereby to reassure me.

No, child, you never change; neither do I.
Indeed all our lives long
We are still fated to do wrong,

Too fast caught by care of humankind,
Easily vexed and grieved,
Foolishly flattered and deceived;

And yet each knows that the changeless other
Must love and pardon still,
Be the new error what it will:

Assured by that same glint of deathlessness
Which neither can surprise
In any other pair of eyes.

Robert Graves, New Collected Poems, Doubleday & Company, Inc: Garden City, New York: 1977.