Showing posts with label Bird. Show all posts
Showing posts with label Bird. Show all posts

Saturday, December 9, 2017

"Why Should I Envy Such Freedom"


PENELOPE'S STUBBORNNESS

A bird comes to the window. It's a mistake
to think of them
as birds, they are so often
messengers. That is why, once they
plummet to the sill, they sit
so perfectly still, to mock
patience, lifting their heads to sing
poor lady, poor lady, their three-note
warning, later flying
like a dark cloud from the sill to the olive grove.
But who would send such a weightless being
to judge my life? My thoughts are deep
and my memory long; why would I envy such freedom
when I have humanity? Those
with the smallest hearts
have the greatest freedom.

--Louise Gluck

Tuesday, March 29, 2016

Body English: Musings on the Beautiful and Sublime


Let's quote Edmund Burke on "Gradual Variation":

BUT as perfectly beautiful bodies are not composed of angular parts, so their parts never continue long in the same right line.  They vary their direction every moment, and they change under the eye by a deviation continually carrying on, but for whose beginning or end you will find it difficult to ascertain a point. The view of a beautiful bird will illustrate this observation. Here we see the head increasing insensibly to the middle, from whence it lessens gradually until it mixes with the neck; the neck loses itself in larger swell, which continues to the middle of the body, when the whole decreases again to the tail; the tail takes a new direction; but it soon varies its new course: it blends again with the other parts; and the line is perpetually changing, above, below, upon every side.  In this description I have before me the idea of a dove; it agrees very well with most of the conditions of beauty. It is smooth and downy; its parts are (to use that expression) melted into one another; you are presented with no sudden protuberance through the whole, and yet the whole is continually changing. 

Observe that part of a beautiful woman where she is perhaps the most beautiful, about the neck and breasts; the smoothness; the softness; the easy and insensible swell; the variety of the surface, which is never for the smallest space the same; the deceitful maze, through which the unsteady eye slides giddily, without knowing where to fix or whither it is carried. Is not this a demonstration of that change of surface, continual, and yet hardly perceptible at any point, which forms one of the great constituents of beauty? 


Selections from A Philosophical Inquiry into the Origin of Our ideas of the Sublime and Beautiful.
-- from Part II: Section XV, in particular

Edmund Burke, 1757.

Sunday, February 8, 2015

Monday, September 1, 2014

Green Buoy And Its Bell









Kayaking HMB.
I like how you can see the swing and strike of the bell-hammers in the last two shots.  (I am a simple man at times.)

Wednesday, March 12, 2014

Thursday, December 5, 2013

Seamus Heaney: "Imagine Being Kevin"


SAINT KEVIN AND THE BLACKBIRD

And then there was St Kevin and the blackbird.
The saint is kneeling, arms stretched out, inside
His cell, but the cell is narrow, so

One turned-up palm is out the window, stiff
As a crossbeam, when a blackbird lands
and lays in it and settles down to nest.

Kevin feels the warm eggs, the small breast, the tucked
Neat head and claws and, finding himself linked
Into the network of eternal life,

Is moved to pity: now he must hold his hand
Like a branch out in the sun and rain for weeks
Until the young are hatched and fledged and flown.

*

And since the whole thing’s imagined anyhow,
Imagine being Kevin. Which is he?
Self-forgetful or in agony all the time

From the neck on out down through his hurting forearms?
Are his fingers sleeping? Does he still feel his knees?
Or has the shut-eyed blank of underearth

Crept up through him? Is there distance in his head?
Alone and mirrored clear in love’s deep river,
‘To labour and not to seek reward,’ he prays,

A prayer his body makes entirely
For he has forgotten self, forgotten bird
And on the riverbank forgotten the river’s name.

--Seamus Heaney

Monday, October 21, 2013

Wednesday, September 25, 2013

Reprise: The Drowned Man










Mask: The Drowned Man --
Sculpture mix; copper carbonate oxide and matte white glazing; Mendocino shingle beach.

Nov. 22, 2009.

Saturday, September 21, 2013

Friday, July 12, 2013

Loomings: Or, The Fog On The Way



Sausalito still in the sunshine.