Tomales Morning

Looking Toward Angel Island

Robert Graves' "Apple Island"

APPLE ISLAND

Though cruel seas like mountains fill the bay,
Wrecking quayside huts,
Salting our vineyards with tall showers of spray;

And though the moon shines dangerously clear,
Fixed in another cycle
Than the sun’s progress round the felloe’d year;

And though I may not hope to dwell apart
With you on Apple Island
Unless my beat be docile to the dart —

Why should I fear your element, the sea,
Or the full moon, your mirror,
Or the halved Apple from your holy tree?

— Robert Graves

"On Faith From Some Artist's Image": Broumas and Begley

On faith from some artist's image
a sheet of paper saying you are possible
I thank the artist for that
island continent its small aborigines
values I stand on I invent
and in the very middle of that gap
the givers


-- Olga Broumas and T Begley

from Sappho's Gymnasium,

Copper Canyon Press,

Port Townsend, WA: 1994

Printer's Devil

One of my poems in print.  

John Buchan: "A Barndoor Fowl"?

Here are two paragraphs from the very end of the first chapter --"Lost Gods"-- of John Buchan's The Island of Sheep, published in 1936, that I'm finding resonant.  Richard Hannay, of The Thirty-Nine Steps, is our narrator, and he's reached his fifties . . . .


I continued my journey -- I was going down t the Solent to see about laying up my boat, for I had lately taken to a mild sort of yachting -- in an odd frame of mind.  I experienced what was rare with me -- a considerable dissatisfaction with life.  Lombard had been absorbed into the great, solid, complacent middle class which he had once despised, and was apparently happy with it.  The man whom I had thought of as a young eagle was content to be a barndoor fowl.  Well, if he was satisfied, it was no business of mine, but I had a dreary sense of the fragility of hopes and dreams.

It was about myself that I felt most dismally.  Lombard's youth had gone, but so had my own.  Lombard was settled like Moab on his lees, but so was I.  We all make pictures of ourselves that we try to live up to, and mine had always been of somebody hard and taut who could preserve to the last day of life a decent vigour of spirit.  Well, I had kept my body in fair training by exercise, but I realized that my soul was in danger of fatty degeneration.  I was too comfortable.  I had all the blessings a man can have, but I wasn't earning them.  I tried to tell myself that I deserved a little peace and quiet, but I got no good from that reflection, for it meant that I had accepted old age.  What were my hobbies and my easy days but the consolations of senility?  I looked at my face in the mirror in the carriage back, and it disgusted me, for it reminded me of my recent companions who had pattered about golf.  Then I became angry with myself.  'You are a fool,' I said.  'You are becoming soft and elderly, which is the law of life, and you haven't the grit to grow old cheerfully.'  That put a stopper on my complaints, but it left me dejected and only half convinced.

--John Buchan, The Island of Sheep

"The Sea In The Head": Two More From Kennelly's "Islandman"

When will we permit the sea in the head

To flow as it will?

The moon has laws but no theories.

It sends out a cold, golden call

And hangs in suspense for the answer

We fear to give.

I would release the sea in the head.

I would let it live,

Pour through the brain's darkest caves,

Out through the eyes,

Touching the distant skin of other 

Minds and bodies.

Who will say which is more real --

My hands on the sea,

The strange flesh or the hurt roar

That is part of me?

Who will say which is more felt --

Loneliness

Or the desolation written on stones

When the sea withdraws?

I have learned to live both night and day

Uncertain of day and night.

This beautiful island is poised forever

In a dubious light.

--Brendan Kennelly,

Two poems from his "Islandman," a book or sequence of poems that  I've pointed to and quoted from before here and here.

Borrowed, with respect, from this volume:

Brendan Kennelly, Breathing Spaces: Early Poems, 
Bloodaxe Books: Newcastle upon Tyne, 1992.

Emerald Waters

Emerald Bay: Fannette Island, Lake Tahoe.

I included this shot in an earlier blog-entry, but only after clicking on the shot and considering an enlargement did I appreciate the ripples, the clear water, the reflection of the tree, and so forth.  That's why I'm reprising this piece in extra large and large formats.

Langston Hughes' "Island"

ISLAND

Wave of sorrow,
Do not drown me now:

I see the island
Still ahead somehow.

I see the island
And its sands are fair:

Wave of sorrow,
Take me there.

--Langston Hughes



(Thanks, Mi Robin)

Elephant Island?

Bird Island, actually, from Rodeo Beach. But you can see what I mean, right?