Showing posts with label Fagles. Show all posts
Showing posts with label Fagles. Show all posts
Saturday, June 2, 2018
Homer's Iliad: Anti-Indoctrination
Reading Homer’s Iliad is anti-indoctrination. Is Homer praising war and heroism or questioning their value? Is Homer advocating for the gods or calling faith in Zeus and his family into question? Is Achilles or Hector the true heroic model? Both? Neither?
Aside from the urgent questioning, we are given urgent empathy as well. The Trojans, the putative enemies, are not the Other, but they are brothers and mothers, fathers and sisters. All are mortal, and wrath is understandable, but not entirely justifiable in action and effect.
Read Homer’s Iliad and be mortal in the best sense.
Labels:
Fagles,
Fitzgerald,
Greeks,
Homer,
Iliad,
Literature,
Love,
Muse,
Peter Green,
Trojans
Saturday, June 30, 2012
Fragments From Bacchylides
Though Honor shifts to any shape,
And man's skills cannot be told,
One outranks them all: the mind
Discretion moves to what's at hand.
----------
Yet resilient Theseus
Did not flinch:
Poising tall
On the planked deck,
He dived an arc
To his welcome warm
In the sea's glades.
Minos, bit to the quick . . . .
----------
Works of the gods are wonders
Seaworthy men confirm.
----------
This for the last time:
Profit can crush
Profoundest minds.
----------
One writer picks another's brains--
Call it tradition:
Taking the gates of a new song
Is no small job.
----------
One criterion, one approach
Leads on to man's success:
The soul that sees out
Life in self-delight.
Who hounds his wits
At the heels of crowding cares
And pummels his mind with what's to come,
Drives dead work through the days and nights . . . .
Throttle your heart with sorrow,
All the gladness dies.
----------
. . . when she curves that smooth arm,
And flicks some wine at the saucers--
Just with a neat turn of her wrist--
Our flute-girl serves her bachelors.
----------
Never underhand,
The words that Wisdom
Resonates in man.
----------
The gifts of the Muses,
Goals of a hard campaign,
Do not surrender
To all who handle arms.
----------
*Bacchylides was a Greek poet of the fifth century B.C. You can find these fragments and more with an appropriate scholarly treatment in . . .
Bacchylides, Complete Poems,
Translated, with a Note to the New Edition, by Robert Fagles,
With a Foreward by Sir Maurice Bowra,
Introduction and Notes by Adam M. Parry,
Yale University Press: New Haven & London,
1998.
Hektor: sculpture mix, pit-fired.
(The red is from kelp-wrappings before I put the piece into the pit, I'm fairly sure.)
And man's skills cannot be told,
One outranks them all: the mind
Discretion moves to what's at hand.
----------
Yet resilient Theseus
Did not flinch:
Poising tall
On the planked deck,
He dived an arc
To his welcome warm
In the sea's glades.
Minos, bit to the quick . . . .
----------
Works of the gods are wonders
Seaworthy men confirm.
----------
This for the last time:
Profit can crush
Profoundest minds.
----------
One writer picks another's brains--
Call it tradition:
Taking the gates of a new song
Is no small job.
----------
One criterion, one approach
Leads on to man's success:
The soul that sees out
Life in self-delight.
Who hounds his wits
At the heels of crowding cares
And pummels his mind with what's to come,
Drives dead work through the days and nights . . . .
Throttle your heart with sorrow,
All the gladness dies.
----------
. . . when she curves that smooth arm,
And flicks some wine at the saucers--
Just with a neat turn of her wrist--
Our flute-girl serves her bachelors.
----------
Never underhand,
The words that Wisdom
Resonates in man.
----------
The gifts of the Muses,
Goals of a hard campaign,
Do not surrender
To all who handle arms.
----------
*Bacchylides was a Greek poet of the fifth century B.C. You can find these fragments and more with an appropriate scholarly treatment in . . .
Bacchylides, Complete Poems,
Translated, with a Note to the New Edition, by Robert Fagles,
With a Foreward by Sir Maurice Bowra,
Introduction and Notes by Adam M. Parry,
Yale University Press: New Haven & London,
1998.
Hektor: sculpture mix, pit-fired.
(The red is from kelp-wrappings before I put the piece into the pit, I'm fairly sure.)
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