Showing posts with label Crows. Show all posts
Showing posts with label Crows. Show all posts

Friday, June 9, 2017

Wish Upon a Wing


Today, while out buying fish in Berkeley, I was limping back to my truck (back & leg issues) when in front of me appeared a crow or raven also limping.

Was he making fun of me?  Showing sympathy?  Just a fellow creature with a hurt of his/her own?

Before I could ask, the black bird flew away.

I wish I had wings like that.

Sunday, February 3, 2013

"Hooked, Slimed, and Gutted"


SONG: "CABIN'D, CRIBB'D, CONFIN'D"

There's a hammer in the head
And a pounding at the door.
You'll never sleep soft
Till you even out the score.
There's a question on the table
And a cupboard full of woes,
But your sole occupation's
Shooting blanks of Old Crow.

The innkeeper said,
It never fails, never fails.
Just make yourself at home:
Bed of nails, bed of nails.

Our ghosts just doze at dawn
In a soul-bin "Lost and Found."
Though hooked, slimed, and gutted,
Sorrows rarely ever drown.
(At every bottle's bottom,
Every sinner floats.
On this fishing trip to hell
You're still bailing out the boat.)

Opportunity's not knocking,
But Misery's banging pails;
You've made yourself at home:
Bed of nails, bed of nails.

--MD

Saturday, October 13, 2012

Three Coins from Guy Davenport


I love Guy Davenport's fine collection of critical essays: The Geography of the Imagination.  He had such a breadth and depth of knowledge, literary and humane, that he was able to bring to bear at a moment's notice, or so it feels, time and again.  Many of the essays began as lectures, composed while Davenport walked from his house to the university.  I wish I'd been in more than a few of those classes.

Here, I just want to share three quotations plucked almost at random from that fine book.

"Translation involves two languages; the translator is in constant danger of inventing a third that lies between, a treacherous nonexistent language suggested by the original and not recognized by the language into which the original is being transposed."

--from "Another Odyssey"


"Plutarch in the first structuralist study of myth, Isis and Osiris, demonstrates that there is no one way of telling the tales of the tribe. A myth is a pattern, not a script."

-- from "That Faire Field of Enna"



"Sir Walter Scott, out hunting and with some good lines suddenly in his head, brought down a crow, whittled a pen from a feather, and wrote the poem on his jacket in crow's blood."

--from "Finding"