Showing posts with label Byron. Show all posts
Showing posts with label Byron. Show all posts

Saturday, November 9, 2019

Planning The Class



We’ll start the semester with a viewing of Ridley Scott’s first feature film The Duellists, and then proceed to the following texts in an order I haven’t quite fathomed or fashioned yet:

Shakespeare’s Much Ado About Nothing;
Rostand’s Cyrano de Bergerac;
Byron’s Selected Poems;
143 rather short poems; 
a handful of stories by de Maupassant;
a handful of tales by Poe;
Shelley’s Frankenstein;
and Hammett’s The Maltese Falcon.






Monday, March 25, 2019

Rereading Byron's "Don Juan": Canto III

Lord Byron’s third canto is a long study in suspense—as we merge with pirate Lambro as he returns to his pirate-isle only to find all think he is dead, his daughter is having party-time, and some young man is wooing that daughter—and a detailed character-study of Lambro (displaced father, displaced authority, displaced pirate).  So much to notice while rereading.

We ought to teach rereading so much more.


Wednesday, March 20, 2019

Byron: "Where is the world of eight years past?"


'Where is the world?' cries Young at eighty.  'Where
The world in which a man was born?' Alas!
Where is the world of eight years past? 'Twas there--
I look for it -- 'tis gone, a globe of glass,
Cracked, shivered, vanished, scarcely gazed on, ere
A silent change dissolves the glittering mass.
Statesmen, chiefs, orators, queens, patriots, kings,
And dandies, all are gone on the wind's wings.

--Lord Byron
Don Juan Canto 11, stanza 76.

Thursday, December 13, 2018

Saturday, December 1, 2018

Introduction to Poetry


Here are the books:
English 43: Introduction to Poetry
CCSF
Spring 2019

Thursday, May 3, 2018

Step Sideways Towards A Truth


I have always preferred Herodotus to Thucydides and Byron to Wordsworth.

That meant, that means, according to grad school criteria (don't you know), I am damned to frivolity, to the frivolous.

At least by association.

(Or, so they say.)

Terrible that I let old school judgments color my own thinking, my own self, now.
Hard to resist, I think.

My other response is to give in, to agree, via an essential insight:
ham-bone connected to the brain-bone.



Thursday, January 18, 2018

Homework


English 46A: Setting Up Paradise Lost 9 & 10 -----– Plus, Quick Quotations

Sorrow is knowledge; they who know the most
Must mourn the deepest o’er the fatal truth,
The Tree of Knowledge is not that of Life.”  
--Lord Byron, from Manfred (1816)

A.  Consider Books 9 & 10 of Milton’s Paradise Lost as a tragedy, as a blank verse drama, and what happens?  How can such a conceit aid us in understanding what Milton is doing, what Adam and Eve are doing, what Satan and God are doing?


B.  Who Wrote What?  What Else Ought We To Notice?

=1. Nought is there under heav’ns wide hollownesse,
   That moves more deare compassion of mind,
   Then beautie brought t’unworthy wretchednesse
   Through envies snares or fortunes freakes unkind:
   I whether lately through her brightnesse blind,
   Or through alleageance and fast fealtie,
   Which I do owe umnto all woman kind,
   Feele my heart perst with so great agonie,
When such I see, that all for pittie I could die.

-2. What would it pleasure me to have my throat cut
With diamonds?  Or to be smothered
With cassia?  Or to be shot to death with pearls?
I know death hath ten thousand several doors
For men to take their exits, and ‘tis found
They go on such strange geometrical hinges,
You may open them both ways.

-3. Tell fortune of her blindness;
Tell nature of decay;
Tell friendship of unkindness;
Tell justice of delay.
And if they will reply,
Then give them all the lie.

-4. When, in disgrace with Fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least . . . .

-5. Why this is hell, nor am I out of it.
Think’st thou that I, who saw the face of God,
And tasted the eternal joys of heaven,
Am not tormented with ten thousand hells
In being deprived of everlasting bliss?
O Faustus, leave these frivolous demands,
Which strike terror to my fainting soul.

-6. Loving in truth, and fain in verse my love to show,
That the dear She might take some pleasure of my pain,
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain,
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain . . . .

-7. “O place of bliss, renewer of my woes,
Give me accompt, where is my noble fere,
Whom in thy walls thou didst each night enclose,
To other life, but unto me most dear.”

Each stone, alas, that doth my sorrow rue,
Returns thereto a hollow sound of plaint.
Thus I alone, where all my freedom grew,
In prison pine with bondage and restraint.

And with remembrance of the greater grief
To banish the less, I find my chief relief.

-8. Thanked be fortune it hath been otherwise
Twenty times better; but once in special,
In thin array, after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small,
Therewithal sweetly did me kiss
And softly said, “Dear heart, how like you this?”

-9. They looking back, all th’ eastern side beheld
Of Paradise, so late their happy seat,
Waved over by that flaming brand, the gate
With dreadful faces thronged and fiery arms:
Some natural tears they dropped, but wiped them soon;
The world was all before them, where to choose
Their place of rest, and Providence their guide:
They hand in hand with wand’ring steps and slow,
Through Eden took their solitary way.

Tuesday, October 10, 2017

Byronic Opposition


Byron's expressions of the heroic saliently focused on opposition figures--the Trojan view, Priam's sons, a Turkish infidel and his sons, a cripple--to express that heroism, a thought I'd misplaced from back in the days I was working on that dissertation.

(How odd, especially given that my intended and partially-unexamined title read "With a Trojan's Eye."  I knew Byron was more cosmopolitan, more liberal, of mind and heart than many have given him credit for, but I wasn't quite digesting all that I'd been consuming, reading hugely as I was, and so . . . .)

Friday, September 29, 2017

Dear Lord Byron . . . Postscript


Friend:  What was it? Do you know now?

Me:  I wanted to be able to say that I knew what Byron thought and felt and meant in any given moment and any given text, but since I didn't mean to write the next biography all of that did not serve me well. I failed to digest much of what I was consuming and I didn't know how to stop except by teaching other people.

Me:  Though, you know, there were times when I did know. But that was mysticism and not academically allowed.

Friend: Matt, so the obsession was mastery--and you achieved it, just not in the exact way you envisioned.

Me:  Mastery is an illusion, but I once believed in that illusion.


Thursday, September 28, 2017

Dear Lord Byron . . . .

I've been teaching some books about specific obsessions, and in order for my students to understand that I was not judging or maligning the authors for their obsessions, I made a bit of a joke about understanding obsession myself, about being obsessed.  I mentioned my nine years in graduate school and detailed how I'd not only read and annotated all that Lord Byron had written, published or not published, but also had read and annotated the thirteen volumes of his letters that we have and had read and annotated the letters sent to him and had even started reading and annotating all that Byron himself had read . . . in chronological order.

(And that's not counting the bookcase or two full of literary scholarship on Lord Byron and English Romanticism and European history and heroism I also read and annotated.)

What started out as a joke became a little more serious: I do understand obsession.

I survived mine, but not everyone does.


Friday, January 8, 2016

Saturday, December 5, 2015

Byron: "An Erring Spirit From Another Hurled"



Here’s a passage from Lord Byron’s “Lara”, that sequel to “The Corsair”, in which the Miltonic basis of that literary paradigm ‘The Byronic Hero’ can be seen in the first lines of Part 18.  I think we hear a little Pope, Johnson, and Shakespeare in the passage too, but shaken and twisted in that English Romantic hurlyburly of a soul.    Or, that’s what I think.

Here’s the passage, Parts 17 and 18 from Canto I of “Lara”, borrowed from the Project Gutenberg edition:


XVII.
In him inexplicably mixed appeared
Much to be loved and hated, sought and feared;
Opinion varying o'er his hidden lot,
In praise or railing ne'er his name forgot:
His silence formed a theme for others' prate—
They guessed—they gazed—they fain would know his fate.
What had he been? what was he, thus unknown,
Who walked their world, his lineage only known?
A hater of his kind? yet some would say,
With them he could seem gay amidst the gay;
But owned that smile, if oft observed and near,
Waned in its mirth, and withered to a sneer;
That smile might reach his lip, but passed not by,
Nor e'er could trace its laughter to his eye:
Yet there was softness too in his regard,
At times, a heart as not by nature hard,
But once perceived, his Spirit seemed to chide
Such weakness, as unworthy of its pride,
And steeled itself, as scorning to redeem
One doubt from others' half withheld esteem;
In self-inflicted penance of a breast
Which Tenderness might once have wrung from Rest;
In vigilance of Grief that would compel
The soul to hate for having loved too well.

XVIII.
There was in him a vital scorn of all:
As if the worst had fallen which could befall,
He stood a stranger in this breathing world,
An erring Spirit from another hurled;
A thing of dark imaginings, that shaped
By choice the perils he by chance escaped;
But 'scaped in vain, for in their memory yet
His mind would half exult and half regret:
With more capacity for love than Earth
Bestows on most of mortal mould and birth.
His early dreams of good outstripped the truth,
And troubled Manhood followed baffled Youth;
With thought of years in phantom chase misspent,
And wasted powers for better purpose lent;
And fiery passions that had poured their wrath
In hurried desolation o'er his path,
And left the better feelings all at strife
In wild reflection o'er his stormy life;
But haughty still, and loth himself to blame,
He called on Nature's self to share the shame,
And charged all faults upon the fleshly form
She gave to clog the soul, and feast the worm:
Till he at last confounded good and ill,
And half mistook for fate the acts of will:
Too high for common selfishness, he could
At times resign his own for others' good,
But not in pity—not because he ought,
But in some strange perversity of thought,
That swayed him onward with a secret pride
To do what few or none would do beside;
And this same impulse would, in tempting time,
Mislead his spirit equally to crime;
So much he soared beyond, or sunk beneath,
The men with whom he felt condemned to breathe,
And longed by good or ill to separate
Himself from all who shared his mortal state;
His mind abhorring this had fixed her throne
Far from the world, in regions of her own:
Thus coldly passing all that passed below,
His blood in temperate seeming now would flow:
Ah! happier if it ne'er with guilt had glowed,
But ever in that icy smoothness flowed!
'Tis true, with other men their path he walked,
And like the rest in seeming did and talked,
Nor outraged Reason's rules by flaw nor start,
His Madness was not of the head, but heart;
And rarely wandered in his speech, or drew
His thoughts so forth as to offend the view.

Wednesday, June 3, 2015

Take Note

We are the grit
That mars the paint
Or makes the pearl.

"Fiery dust,"
Lord Byron wrote,
Furious, fiendish;
Take proper note.

--MD

Saturday, November 8, 2014

Byron: "This Odd Labyrinth"


I won’t describe—that is, if I can help
    Description; and I won’t reflect—that is,
If I can stave off thought, which, as a whelp
    Clings to its teat, sticks to me through the abyss
Of this odd labyrinth; or as the kelp
    Holds by the rock; or as a lover’s kiss
Drains its first draught of lips: --but, as I said,
I won’t philosophize, and will be read.

--Lord Byron
Don Juan: Canto X, #28

Friday, May 9, 2014

Are You Hungry?


Prepping for a lecture:
"The Hungry Reader at the Feast"
Nov. 18, 2011.

Saturday, March 2, 2013

The Ocean In His Eyes

Misterioso Duck: 
sculpture mix; trans-brown and denim glazing.

There is a pleasure in the pathless woods; 
There is a rapture on the lonely shore; 
There is society, where none intrudes, 
By the deep sea, and music in its roar: 
I love not man the less, but Nature more, 
From these our interviews, in which I steal 
From all I may be, or have been before, 
To mingle with the Universe, and feel 
What I can ne'er express, yet cannot all conceal.
--Lord Byron,

Childe Harold's Pilgrimage:
Canto IV, #178

Tuesday, January 22, 2013

Lord Byron: "My Mind Is A Fragment"


Happy 225th, Lord Byron!  The portions of this entry will move fragmentally, in honor of his Lordship.

200 years ago today, Lord Byron turned 25, footloose, if not exactly carefree in London.  I've been reading around in his letters, his journal from later in 1813, and a bit of poetry composed around that time to enjoy Byronic wit, self-absorption, and poetic talent.  I want to share a few bits from (or about) Byron's “The Giaour: A Fragment of a Turkish Tale,”  composed in pieces, fragmentary by design, from later in his 25th year, 1813, begun in March and published in early June.  ["Giaour" rhymes with "tower".]

Opening Lines: No breath of air to break the wave
That rolls below the Athenian’s grave,
That tomb which, gleaming o’er the cliff,*
First greets the homeward-veering skiff,
High o’er the land he saved in vain—
When shall such hero live again?

*A tomb above the rocks on the promontory, by some supposed the sepulcher of Themistocles. [Byron’s note]

My note:  The concern for the missing hero, the lost hero, the failed hero haunts the works, poetic and dramatic.   Byron’s excellent Don Juan opens with a call for a hero too, for none of the potential heroes of the period really qualify; he is forced to turn to the old seducer Don Juan (which for Byron & the English of  the time rhymes, quixotically perhaps for us, with “true one").


A favorite passage:
The Mind, that broods o’er guilty woes,
   Is like the Scorpion girt by fire,
In circle narrowing as it glows
The flames around their captive close,
Till inly search’d by thousand throes,
    And maddening in her ire,
One sad and sole relief she knows,
The sting she nourish’d for her foes,
Whose venom never yet was vain,
Gives but one pang, and cures all pain,
And darts into her desperate brain.—
So do the dark in soul expire,
Or live like Scorpion girt by fire;**
So writhes the mind Remorse hath riven,
Unfit for earth, undoom’d for heaven,
Darkness above, despair beneath,
Around it flame, within it death!—

**Alluding to the dubious suicide of the scorpion, so placed for experiment by gentle philosophers.  Some maintain that the position of the sting, when turned towards the head, is merely a convulsive movement; but others have actually brought in the verdict ‘Felo de se’. The scorpions are surely interested in a speedy decision of the question; as, if once fairly established as insect Catos, they will probably be allowed to live as long as they think proper, without being martyred for the sake of an hypothesis.

My note: I like the contrast between the poetic and the prosaic, between the melodramatic verse and the contrasting skeptical/satirical explanation.

Finally, a line from Byron's journal of 1813:

For my part, I adhere (in liking) to my Fragment.  It is no wonder that I wrote one -- my mind is a fragment.

--Byron's Letters & Journals: Volume 3: 1812-1814 -- 'Alas! The Love Of Women!',
edited by Leslie A. Marchand,
Harvard University Press: Cambridge, MA,
1974.