Thursday, September 29, 2016
Sunday, September 25, 2016
Fictional Identikit
There's a game going about to identify one's self via three or four literary characters.
Here's my submission from the four quarters of my soul, or some such:
Jim Hawkins, from Stevenson's Treasure Island;
Ishmael, from Melville's Moby Dick;
Frank Bascombe, from Ford's The Sportswriter;
and
Robert Walton, from Shelley's Frankenstein.
Here's my submission from the four quarters of my soul, or some such:
Jim Hawkins, from Stevenson's Treasure Island;
Ishmael, from Melville's Moby Dick;
Frank Bascombe, from Ford's The Sportswriter;
and
Robert Walton, from Shelley's Frankenstein.
Labels:
Agon,
Figures,
Ford,
Frankenstein,
Game,
Heroes,
Identity,
Ishmael,
Jim Hawkins,
Literature,
Melville,
Moby Dick,
Soul,
Treasure Island
Saturday, September 24, 2016
Memories: Bullish By Night
Old sculpture:
30-40 minute exercise with model?
Years ago, so I am not sure.
Sculpture mix--and overglazed, but I like how that came out.
My stubborn side, you know?
Tuesday, September 20, 2016
Friday, September 16, 2016
Tuesday, September 13, 2016
McIlvanney: "The Language of My Living"
Here's a passage from one of William McIlvanney's novels that I've always liked. The juxtaposition of humility and arrogance, the mix of what others think versus what the narrator knows, has stuck with me, has resonated over the years. I recall giving this passage to a colleague, for I felt that the passage conveyed both his affect and his self-understanding, but he just smiled as he read, so I wasn't given a full commentary. I relate and don't quite relate to what's voiced here, but it always resonates.
Here, read for yourself:
'Well,' she said. 'I'd better be going.'
I looked at her and nodded. She smiled and pointed to the ground behind the cars. There were tread-marks on the grass.
'Those,' she said. 'They'll always remind me of Scott. Him and me here. I wonder how long they'll last. What is all this about for you really? I mean. What is it you're doing exactly?'
'I don't know exactly. I suppose I'm trying to make my own peace with Scott's death. I suppose this is how I do it.'
'How do I do it?'
She started suddenly to cry.
'Damn,' she said. 'Will you hold me one time for him?'
I crossed and held her. It was a small, chaste ceremony of mutual loss. Her hair in my face gave off a melancholy sweetness. Clenched to her, I felt the tremors of her body, how the edifice of beauty was undermined from within with deep forebodings. In the embrace I experienced our shared nature--so much questionable confidence containing so much undeniable panic. That was me, too. Some of my colleagues and bosses liked to say I was completely arrogant. They misunderstood the language of my living. Arrogance should be comparative. Humility was total. Faced with simplistic responses to life that tried to fit my living into themselves, I was arrogant. I seemed to meet them every day and I knew I was more than they said I was. But when I sat down inside myself in the darkness of a night, I knew nothing but my smallness. I knew it now and shared it with hers.
--William McIlvanney,
Strange Loyalties,
A Harvest Book,
Harcourt Brace and Company,
1991
This is the third Laidlaw book, and the other two are worth looking for. This one shifts the narration from third-person to first-person (and for excellent reasons).
Here, read for yourself:
'Well,' she said. 'I'd better be going.'
I looked at her and nodded. She smiled and pointed to the ground behind the cars. There were tread-marks on the grass.
'Those,' she said. 'They'll always remind me of Scott. Him and me here. I wonder how long they'll last. What is all this about for you really? I mean. What is it you're doing exactly?'
'I don't know exactly. I suppose I'm trying to make my own peace with Scott's death. I suppose this is how I do it.'
'How do I do it?'
She started suddenly to cry.
'Damn,' she said. 'Will you hold me one time for him?'
I crossed and held her. It was a small, chaste ceremony of mutual loss. Her hair in my face gave off a melancholy sweetness. Clenched to her, I felt the tremors of her body, how the edifice of beauty was undermined from within with deep forebodings. In the embrace I experienced our shared nature--so much questionable confidence containing so much undeniable panic. That was me, too. Some of my colleagues and bosses liked to say I was completely arrogant. They misunderstood the language of my living. Arrogance should be comparative. Humility was total. Faced with simplistic responses to life that tried to fit my living into themselves, I was arrogant. I seemed to meet them every day and I knew I was more than they said I was. But when I sat down inside myself in the darkness of a night, I knew nothing but my smallness. I knew it now and shared it with hers.
--William McIlvanney,
Strange Loyalties,
A Harvest Book,
Harcourt Brace and Company,
1991
This is the third Laidlaw book, and the other two are worth looking for. This one shifts the narration from third-person to first-person (and for excellent reasons).
Labels:
Arrogance,
Crime novels,
Good Living,
Grief,
Hubris,
Humility,
Laidlaw,
Language,
Life,
Literature,
Loss,
Loyalty,
McIlvanney,
Perception,
Scotland
Sunday, September 11, 2016
Sunday, September 4, 2016
"The Other Worlds": Life's Largest Riddle
The Other Worlds is an excellent mythopoeic novel by a dear friend, Christoph Greger. Christoph's own humble way of introducing the book to the world is worth quoting: "Hey all you cystic fibrosis lit fans, Ren fair geeks, and/or mythopoeic/modernist bildungsroman junkies -- here's something that might be of interest."
Read this book.
Labels:
Agon,
Character,
Classic,
Cystic Fibrosis,
Death,
Fantasy,
Fear,
Fiction,
Friendship,
Greger,
Identity,
Life,
Literature,
Magic,
Mystery,
Novel,
Renaissance,
Shadows,
Weary,
Yearning
Subscribe to:
Posts (Atom)