Time's Wicked Current

Rum-tee-tum-tee-tum-tum.
Sipping rum, watching "Into the Blue" with the director's commentary going, and remembering a long-anticipated Hawaiian dive-trip with my late best friend back in 2008.

Time has a wicked current, you know?


(If you want to know more about the clay mask, check here.)

Reprise: Shoulders of Clay

Self-Portrait #47.
Sculpture mix;
green and shino glazing:
live model.

Neptune: A Mask (with Visual Backstory)

Neptune: the latest mask for the wall.

Sculpture mix; transparent brown, floating blue, shino, studio-green, denim, and celadon glazing, splashed and layered.

Sculpture mix, formed and drying before the first firing.

Bisqued, with the raw glazes dripped and splashed . . . .

If you compare Neptune in this last shot to the first one, or to the watery versions I've posted previously, you can see how much lighting and background can influence the captured image.

Neptune works best, so far, if I hold the mask in my hands in direct sunlight and turn it this way and that to appreciate the play of so many colors and so much sparkle from the shiny glazing and the many textures.  A lucky piece, I think.

Neptune: A Close-Up

A comment elsewhere: "I court watery luck with all the ardor I can muster."

I need to make those pool workouts happen again; I need to make that ocean time--free diving or kayaking--happen again.  I need . . . .

Neptune: A Preview

Neptune: the latest mask for the wall.

Sculpture mix; transparent brown, floating blue, shino, studio-green, denim, and celadon glazing, splashed and layered.

Neptune: A Mask

Neptune: sculpture mix; green, denim, trans-brown, and shino glazing, layered.