Showing posts with label Solo. Show all posts
Showing posts with label Solo. Show all posts

Sunday, September 2, 2012

"The Sea In The Head": Two More From Kennelly's "Islandman"


When will we permit the sea in the head
To flow as it will?
The moon has laws but no theories.
It sends out a cold, golden call

And hangs in suspense for the answer
We fear to give.
I would release the sea in the head.
I would let it live,

Pour through the brain's darkest caves,
Out through the eyes,
Touching the distant skin of other 
Minds and bodies.



Who will say which is more real --
My hands on the sea,
The strange flesh or the hurt roar
That is part of me?

Who will say which is more felt --
Loneliness
Or the desolation written on stones
When the sea withdraws?

I have learned to live both night and day
Uncertain of day and night.
This beautiful island is poised forever
In a dubious light.


--Brendan Kennelly,
Two poems from his "Islandman," a book or sequence of poems that  I've pointed to and quoted from before here and here.

Borrowed, with respect, from this volume:

Brendan Kennelly, Breathing Spaces: Early Poems, 
Bloodaxe Books: Newcastle upon Tyne, 1992.

Sunday, July 29, 2012

Quick Cave Jaunt

Just to the north around the first corner from Van Damme State Beach, there are a couple of easily accessible caves, as well as many other caves further to the north and to the south as well.  Here are the shots for the second of the caves.  

I prefer to enter against the swell, at least my first time through a cave on a specific day.  I am a bit more in control heading into the current and push than if I were moving with the water's motion, perhaps caught in the water's fist and thrown with more force and direction than I'd prefer.  Of course, once I have a better idea of the flow patterns inside the cave, and if it's fitting, I like heading inside with the push and rush too.

Inside, the cave is a lot darker than these shots convey; the flash on the camera illuminates a fair amount.  Now, the light coming in from outside is part of the beauty and attraction here.  The mouths of the cave beckon both from the outside and the inside.


The next shot catches the view straight up to the ceiling.  I wish I could turn down the flash for a better, more realistic effect, and yet still have enough light to convey something.  Inside, without the camera, you look up at the ceiling, fissured and jagged as it is, in glimpses governed by the light streaming in (or not); by the movement of the water that sends that light here, then there, flickeringly; and by your own vantage and curiosity.  I recall once wearing a long-billed cap against the bright sun outside and never quite realizing I should look up, for that bill worked too well to block my sight too.  Another time, the gloomy overcast outside didn't allow for enough light inside the cave to see much of anything at all, certainly not the "rafters".  Of course, such a cave with the inner depths (and heights) lost in shadow has another appeal.


Heading toward the exit, now.



Even an overcast day can seem quite bright after the cave's darkness.  I keep meaning to dismount from the kayak and swim about in there, but for some reason, I just haven't yet.

I was paddling solo here, but if you'd like to check out the sea-caves and rock gardens of the Mendocino waters, I definitely recommend Kayak Mendocino for tours.  Check out the company website here.

Monday, July 16, 2012

Blind Beach Go-Out

Part of Goat Rock and the parking lot for Blind Beach, Goat Rock State Park, Sonoma County, CA.   After I entered the water, I paddled along the protected inner edge here.  

The rest of the lower portion of Goat Rock.  Another go-out I'll head around to the right here.

The view to the southwest from Blind Beach.  With the camera, all that looks further than it is.  Since I was soloing here for the first time, I did laps back and forth from Goat Rock to and into those rock gardens and pinnacles.  I like checking my exits and watching the tide, swell, and wind patterns at a new place, so being solo meant it was easier for me to slow down and check out the conditions thoroughly.  Of course, on such a mellow day, there's only so much change to be considered, but I feel better about future go-outs there.

A view that always draws me closer.

I tried to catch the texture of the water, but I didn't quite succeed.  The swell patterns from bouncing off all the different rocks and being directed by the different underlying channels produced a lively, frothy, pointy effect.  (I'll review my other shots to see if I have a better photo.)  Here, just a sample of texture that also keeps me going out onto (and into) the water.

 
A different angle on Arch Rock, a paddle-goal I'm saving for another time, ideally with my dive partner Gerald.  The photos make the arch look further out than it is, but I'd say it's no further or only barely further than the arch out from Van Damme State Beach.  (Are you reading this, Gerald?)

The view of my entry and exit point: Blind Beach and Goat Rock.  I spent about two hours on the water paddling back and forth, paddling through rock channels, and just floating about, observing the patterns of water and wind, getting comfortable again.  The ocean's a different beast, even on such a quiet day, than the Russian River, that mellow meanderer.  There's always a fierce energy in even the smallest lift and drop of a wave that I find seductive and entrancing.  

Note how the overcast never really lifted too.  This is probably about noon or a bit after, and I'd hoped for sunnier skies.  Still good; still counts.



Friday, June 1, 2012

Supplementary Reading


A sample from the 2011-2012 school year.

Friday, September 23, 2011

Passages: Going Solo with Duff Around Ireland

Here's something to read: Chris Duff's On Celtic Tides: One Man's Journey Around Ireland By Sea Kayak. And, here are two passages that I like quite a lot from this non-fiction book. The first passage presents action and the consequences of action. The second passage moves us from the physical to the emotional, though the physical and emotional are constantly interwoven together and with the intellectual and even the spiritual in this fine book. Duff makes me want to pay more attention to the world around us, especially the natural world, but he also makes me want to get out the kayak and get wet even as I want to explore my Celtic heritage, to visit Ireland myself.

Mostly, I want to feel the salt and the burn of being out on the sea. I like solo outings, though on a much humbler scale than anything in this book. Here are Duff's own words I want to share:

From Chapter 5: Abbey Refuge:

After an hour getting tossed around like a cork, I entered the narrows between Dursey Island and the mainland. I was drained and it felt good to close my eyes and let the current gently spin me in a circle. Rough water paddling was exhausting. The physical exposure seemed to strip away all the protective emotional layers, and I felt as worn as the rocks on the outer coast. In the thick of big breaking waves, it was a constant measure of controlling the flight or fight instinct: too little adrenaline and I won't be aggressive enough, too much and I'll burn up energy too fast. The inclination is to pour on the power and try to get through the rough stuff fast. It doesn't work. The boat charges ahead, then plows into the oncoming wave or crashes into a trough. The only way is to slip into low gear and grind it out. Slow and steady, not fighting the power of the waves but letting them break on themselves. Dig in, a brace or back stroke here or there, then dig in again. It can be frustratingly slow and fatiguing.

After a brief rest in the channel, I turned and headed back out. Moments after leaving the calm, I almost went over. An inflamed tendon in my right wrist made gripping the paddle shaft with my thumb impossible and I couldn't control the angle of the blade. I had ignored the pain in the rough waters on the outside of the island. Now, without the distraction of breaking waves and a pitching boat, I was keenly aware of it. A wave tossed the boat over on its side and I sliced the edge of the paddle, rather than the back of it, into the water. A last-second hip flip with my right knee jammed against the inside of the cockpit kept me from going over. Despite the tendinitis and the near capsize, I was encouraged by my reaction time. It was instant and automatic, the way it had to be.

Getting thrown over and hanging for that millisecond on the edge of the boat was a reminder of just how tenuous my grasp on the trip was. I had to be "on" one hundred percent of the time and it was wearing me down. It hadn't been a massive wave that had almost upended me. In fact, it had been a ridiculously small one that I hadn't been paying attention to. I had come down off the adrenaline high of an hour earlier and I was focused on a cove a quarter mile in front of me, looking forward to getting out of the boat, into warm clothes, and already thinking about how much food and water I had in the rear compartment. I hadn't been attentive to the moment -- the worst mistake I could make. It wouldn't have been a big deal to have gone over, but it was a reminder of how a month of paddling had both honed my reactions and also begun to take its toll.


From a bit later in the same chapter . . . I like how this section builds off of the previous passage and how it builds in itself, as we move from the beginning here to the final paragraph here:

Kenmare River is actually a bay, longer and wider than both Bantry and Dunmanus, but for some reason, certainly Irish, it had been given a river status. I had wanted to paddle into the town of Kenmare, twenty-five miles up the bay, but after my experience with Bantry Bay and the westerly winds, I changed plans. It was almost mid-July. I had lost a lot of time sitting out bad weather and was less than a third of the way into the trip. Clearly this wasn't going to be a repeat of the previous summer, and I couldn't afford to get trapped by the winds again.

That was the trouble with big trips and exposed waters; so many miles and so much to see, but the weather always dictated the pace. If I explored every bay and island along the way, I could find myself a month behind schedule and running into bad weather on the last leg into Dublin. On the other hand, the fall could be fine and I would be kicking myself for not taking more time early in the trip. Time and weather were a gamble.

As I paddled across Kenmare River, I had plenty of time to think of the demands of the journey. The sky felt like a wet gray sponge waiting for a shift of wind to wring out its weight of trapped moisture. An easy four-foot swell did nothing to pull me out of the low that had crept up and hung like a shadow over my emotions. My mind and body felt disconnected, out of harmony with each other, for the first time in weeks. I was two or three miles from land and wanting desperately to crawl into the warmth of the bag, somewhere out of the wind, and just sleep off the physical and emotional drain. I wanted to be warm and dry. I want to eat the breakfasts that I dreamed about and see things familiar. I missed home and was tired of being on guard, of constantly worrying: food, water, tides, the weather reports three times a day, summer slipping by and still eight hundred miles to go. Four miles per hour if the seas were flat. The trip suddenly felt too big.

I remembered a retired lighthouse keeper warning me about the waters around Malin Head, some three hundred miles to the north. An Irish banker I had met two days ago in Allihies had told me how rough the seas were in County Sligo and how the winds were always so cold.
Why did people always do that? Why did they tell me of a fisherman who had drowned just two weeks earlier, or of waves bigger than any I had seen so far? Were they trying to distance themselves from something they did not understand? I had heard the same warnings when I was paddling up the Mississippi River, and in Nova Scotia's Bay of Fundy, in the Bristol Channel, and the Pentland Firth in northern Scotland. People were always quick to point out the hazards and just as quick to label me mad for attempting something they did not understand. Most days I could handle the doubts that people so freely shared, but on days when the trip had worn me down, their disbelief burrowed inside and undermined my confidence. People didn't realize that what I needed to hear was encouragement not stories of an impenetrable coastline or severe weather a hundred miles to the north. They had the comfort of returning to a warm, safe house after telling their tales, while I was left with the task of sorting out what I had been told. The irony was that I couldn't cut short these stories people wanted t0 tell me, because hidden in the telling there might be a bit of truth that I needed to hear. The trick was to separate the truth from the teller's emotions and balance that with my own knowledge and abilities. When I was low, the deciphering didn't work as well.

Where were the highs that I had felt just last week?

And so forth.


Duff, Chris. On Celtic Tides: One Man's Journey Around Ireland By Sea Kayak. New York: St. Martins Griffin, 1999. Print.

(Thanks, Hugh, for the forty-ninth birthday present.)

Friday, February 11, 2011

A Glass of Scotch, Shakespeare's Earring, A Good First Novel, and A Big Head

1. Journal Note: Really good day for school and at school--been busy since 4 a.m.--so the Glenlivet in the glass is partly reward and fully earned. Trying to recall what I've read about Shakespeare's earring. The gold ring as a talisman against drowning, a popular hope of the day? Or is that reading too much into and out of The Tempest? Where did I read that? In Fowles' Shipwrecks? Note to self: track the errant thought down. First thing, boss.

2. I'm rereading Ian Rankin's first Rebus book, and I'm enjoying the special pleasure of a solid first novel that is trying really hard to be clever and good. A lesser book would be less enjoyable because of how hard it tries, but Knots and Crosses works, and Rankin's rather noticeable efforts to make this a good experience for his reader is certainly part of the charm. (And I hope my first novel, if I ever complete one, is half as good; no, as good, that's my hope, or better. Why not?)  

(*Note: Ian Rankin had published The Flood before Knots and Crosses, so I'm wrong about the first novel thing here.)

3. A Memory: Two Weeks Ago.

Fellow working the counter at the dive shop down Monterey way as I enter: "Man, your hair just keeps getting bigger and bigger." Maybe he recalled my sudden buzzcut last Spring; maybe he had me confused with another diver.

(If you check the mugshot at the upper right, you'll see the fellow's comment was apt. If you check the mugshot at the lower right, you'll see the buzz. If you care . . . which I don't expect.)

I decided not to ask if Bigger Hair is good or bad. We had a fine conversation, I thought, about his spearfishing with tanks, free diving in general, the dangers of solo diving, and the specific conditions of the day. He recommended against solo diving and pointed out the heavy surf; I listened politely as well as carefully. How do I say it? I may act foolhardy, but I'm no fool? I valued his experience, but I have my own experience, especially free diving solo, to value also.

A grab-bag of thoughts, emptied out at your feet. Still, sometimes a blog entry is more for me than for you. I'll aim higher next time.

P.S. April 30, 2011: I'm shifting my photos for the right-hand column of this blog, so I'll put two "hair" shots just so this entry will make sense.

January 2011 (above): '70s Hair.
April 2010 (below): buzzzzcut.

Wednesday, January 5, 2011

Homework: Water Adventure Non-Fiction

Or, Happily Annotating.

This upcoming semester, I will be teaching a fairly recent water adventure book: Tori Murden McClure's A Pearl in the Storm: How I Found My Heart in the Middle of the Ocean. As the front cover sets forth, McClure becomes "the first woman to row alone across an ocean."

I've taught a fair amount of water and underwater nonfiction (and fiction), but I am particularly looking forward to reading and teaching this book with my classes. For one, McClure fails her first attempt to row across the Atlantic. The majority of the volume concerns this first voyage, this first attempt, and that seems fitting too. We shall see; I've read enough to know this book will work well, but I am in the midst of a true reading, a committed reading, with the classroom in my mind.

I don't just mean concocting vocabulary lists, quiz questions, and essay topics, but also conceiving exercises in practical imagination. For example, in a few minutes, I'm going out to the garage to pull out a handy blue tarp to be folded into the dimensions of McClure's rowboat, a robust 23' x 6', more or less. And if you imagine being confined to a space like that for, say, three months, there's more less than more involved.

Okay, where's that tarp?

Or a cardboard mock-up?

The possibilities . . . .

One reason why I teach, frankly: feeling out the possibilities, invoking the practical imagination.


McClure, Tori Murden. A Pearl in the Storm: How I Found My Heart in the Middle of the Ocean. New York: Harper Collins, 2009. Print.