Art, Book reviews, Ceramics, Photographs, Postcards, Quick Fiction, Quotations, and (Usually Aquatic) Reflections. (P.S. This blog looks better in the web version.)
Friday, December 11, 2015
Hurly-Burly: Poetry in Motion
This was a last-day hurly-burly of What-Poetry-Can-Be-And-Do and How-You-Can-Enjoy-The-Ride. Some of the following works were treated fully, but the others received glancing treatment, mere introductions or excerpts or highlighted singular effects: sacrifices on the altars of poetic efficacy and exuberant aesthetic trail-guiding. Voice and story, voice and story. What and how, what and how.
Hughes' "Suicide's Note"
(body of the poem first, then the title revealed);
Auden's "The Shield of Achilles"
(for we've read The Iliad this term);
Grimm's "Hansel and Gretel" paraphrased to set up
Gluck's "Gretel in Darkness"
(trauma and serious poetic conversations);
two quotations matched and set
from Auden's "September 1, 1939"
and Shelley's "Julian and Maddalo"
(mere bits in parallel and contradiction);
a foray into Jackie Leven's lyrics
from "Classic Northern Diversions"
(to read mood even if you don't know what the song is about, to find signs);
close-reading exercises
with Frost's "Stopping By The Woods on a Snowy Evening"
and Wyatt's "They Flee from Me That Sometime Did Me Seek"
and Keats' "When I have fears that I may cease to be";
then, Frost's apocalyptic "Fire and Ice";
Spenser's logical/romantic playing with "My Love is Like to Ice, and I to Fire";
Donne's twisty-fun "Woman's Inconstancy";
a quick look at Dante Gabriel Rossetti's artwork to set up
Christina Rossetti's beautiful and incisive "In An Artist's Studio";
and finally Herrick's playful "Cherry-ripe" -----------
(I had some Elvis Costello one-liners for flavor and effect in my back pocket, but I ended up not having time to use them appropriately and so held back.)
a very full 75-minute class.
Oh, I also quoted with context that venerable bumper sticker "Question Authority" and that mug I saw at Pegasus On Solano with "Birds have wings / Humans have books".
Burton Raffel's How To Read A Poem -- along with a slew of handouts -- was the textbook at hand.