My second-ever head from years ago. I can walk you through the 14 flaws, if you'd like. I keep the piece in my office to make "draft" discussions a little easier; I've got the perfect piece of realia, a prime example, right there.
Also, when I teach Shakespeare's Julius Caesar, I bring in the head while we're discussing Acts Four and Five. I want to guarantee that Great Caesar's Ghost gets due weight . . . .
